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I've Decided I'm Poisonous

"Kill them with kindness." 

A small little phrase normally used to offer one advice on how to deal with a bully, an enemy, or an undesirable situation.  What phrase is given to people who are naturally loving?  I do not believe that I allow myself to get stepped all over.  Maybe I am just too kind, too trusting, too forgiving.  My intention was never to kill anyone with anything.  

Here's what happened: It seems like a lifetime ago, but I fell in love.... hard.  It didn't work out and it sucked.  I slowly and painfully got over it.  At first it killed me not being able to talk to this person.  He was such a huge part of my life for so long.  Eventually, not talking to him was fine.  The days faded out where everything reminded me of him.  Sure, I would hear a song that reminded me of him every once in a while, but that's expected.  At first, it killed me that he did not even want to try to be friends after we had shared so much together.  Eventually, it didn't bother me at all. 

As soon as I got over the whole thing, we kept running into each other... EVERYWHERE.  In our hometown, in Dallas, in Austin.  It was definitely a Carrie running into Big situation.  Even the locations were similar: art galleries, benefits, friends of friends houses, etc...  Neither one of us made a decision to be friends after all of these strange encounters, it just kind of happened.  It felt so wonderful to be friends again.  We have been apart for so long, grew up a little bit, experienced different things, and found ourselves back at square one again: comfortable with each other like nothing had happened.  Seriously, it's creepy.  On several occasions, I've gotten into his car and he's listening to the exact same song I was just listening to!  I felt so connected to him without wanting to date him.  BIG STEP.   Then, everything got screwed up.

He came to see me play a show the other weekend, and everything was going fine.  He was hanging out with my new friends (where he fit in perfectly).  He balanced having fun and networking (ok...so he hasn't changed THAT much).  As we were waiting to leave, he placed his hands on my shoulders and left them there.  My heart sank straight into my stomach... true vertical drop.  Questions swirled around in my head.

Why is he doing that?  Is this a friendly gesture?  Does he want something more?  Is he just trying to calm me down?  Is he flirting?  Why does this feel so familiar?  What does this mean?  How fast can I run away from this?

I hate it.  Now, I have no idea what I want.  I really do not think I want to date him again (not that he's given off those specific vibes).  Do I run away from the situation?  For so long I've prayed for us to have  a healthy friendship.  Now that it's come, how do I balanced keeping my heart guarded and letting him be a significant part of my life again?  I would feel guilty for throwing away the opportunity to be friends since I have prayed for it for so long.  Maybe what I want has changed.  I am definitely an "all or nothing" girl.  If I know you, I love you deeply and would do almost anything for you.  Maybe I am TOO passionate.  Too kind. All I can do is hope that I do not get misunderstood.  As a friend, I want to share everything with him (that is just how  I am).  I can only hope he does not mistake my honesty and openness for a desire for a romantic relationship.  

This is why it's confusing though:  I am absolutely fine just having a friendship.  I don't think about him all the time or want to text him every day.  I don't even think about him every day.  BUT if he wanted to try the whole romantic relationship thing with me again, I'd be open to it.  The relationship was so perfect the first time and severed without warning.  I just DO NOT want that to happen again... especially with the SAME guy!  After breaking up, I swore off dating.  I always said "the next guy I date better be the guy I marry because I'm never going through that again."  I never wanted to lose love ever again.  Then, I decided marriage may not be something I want.  It's so hard to explain, and I know it sounds silly, but I guess the long story short is: If we're going to do this again, it better work. 

Sorry about the rambling.  At least you have some idea what's been going on.  

"Clarity of mind means clarity of passion, too; this is why a great and clear mind loves ardently and sees distinctly what it loves." - Blaise Pascal

"There is no remedy for love but to love more." - Henry David Thoreau 

"I cannot think well of a man who sports with any woman's feelings; and there may often be a great deal more suffered than a stander-by can judge of."- Jane Austen


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... and then, i smiled.

Summer has been so interesting.  New friends came into my life, friends left, and someone I once loved (and consequently hated) returned as a good friend.  As everyone returned home for the summer, I realized how much I have changed.  I am not as fearless as I once was, but this new sense of caution is good for me.  After 3 years, I let go of a broken heart just in time to let the boy who broke it come back around to make me laugh again. 

Timing is perfect.  

I tried so many things I have never tried before.  Not all of them worked out, but they were certainly worth trying. 

Timing is perfect.

Two of my friends have shared stories with me the past two days about finding a person that fit into their life just at the right moment.  In both situations, the road leading up to happiness was tainted with confusion, hard decisions, and a hint of awkwardness BUT the ending was so blissful.  I have always believed you can't who you fall in love with or when you fall in love.

Timing is perfect.

My heart is bursting with excitement for these people.  In the latter situation, these two are two of the most beautiful people I have ever met.  I can not wait to hear how their love grows.  

Timing is perfect. 

I feel like I knew it would happen all along.  They told me I was right, and then I smiled.

Timing is perfect. 
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Some Words I've Been Writing

.two tunes with working titles.

1. I wrote 1/3 of this song outside of the HOB Dallas on a collection of receipts and napkins I found in my purse (at the Sleeperstar show).  I wrote 1/3 of it the following day at Island Party (another Sleeperstar show) in Austin.  I guess Sleeperstar is just inspiring.

"No Explanation" - May 2009

Is there supposed to be a light when two worlds collide?
If so, how do we know if its source is love or a fire that's burning everything inside? (everything inside)
If it is a fire, do we tend to the flames or just pass it by? (pass it by)

I just love you, and I don't know why
No explanation, I just don't know why

Our heads are always so clouded
But somehow we seem to remain so grounded (remain so grounded)
If it's good, but it's not love
Do we leave it where we found it? or as we found it?

I just love you, and I don't know why
No explanation, I just don't know why

Will our seed grow? 
I don't know, I just don't no
Until I do I just wish on my eyelashes (my eyelashes)
That this seed bears a tree that thrives on ashes (thrives on ashes)

I just love you, and I don't know why
No explanation, I just don't know why
I just want you, and I don't know why
No explanation, I just don't know why

2. Written on the couch of my living room (you know, how normal people write) 

"254"- May 2009

We all went to Seaside, FL
Just to clear our heads
I ate a fish that looked like it wasn't dead

We rode our bikes on the sidewalk
Laughing all the way
Let's come back for another day

And these friends we've made
Lay scattered 'cross the countries
Six names are engraved in the heart of Texas on a big oak tree

We all climbed a mighty mountain
Trekking through the snow
Found out a lot of things that we didn't know

We made our way down on a big sled
Screaming all the way
Made it to the bottom, guess life's OK

And these friends we've made
Lay scattered 'cross the countries
Six names are engraved in the heart of Texas on a big oak tree

Highway 84
You are our open door
Oh, 254 
I have never loved you more

And these plans we've made
They may never be
Six names are engraved in the heart of Texas on a big oak tree

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Words Bound by Beauty

"Tu Se' Morta" - Monteverdi
ed io respiro; tu se' da me partita
se' da me partita per mai piu,
mai piu non torane, ed io rimango-
no, no che se i versi alcuna cosa ponno,
n'andro sicturo a' piu profondi abissi
e, internito il cor del re l'ombre,
meco traotti a riverder le stelle

"Puis qu'en oubli" - Machaut
Puis qu'en oubli sui de vous dous amis
Vie amoureuse et joie a dieu commant
Mar vi le jour que m'amour en vous mis
Puis qu'en oubli sui de vous dous amis
Mais ce tenray que je vous ay promis 
C'est que jamais n'aray nui autre amant
Puis qu'en oubli sui de vous dous amis
Bia amoureuse et joie a dieu commant 
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The Craftsmanship of Lines and Spaces

I have needed to cry for two months, but it has not happened.
This week has presented plenty of opportunities for me to cry.  
Car broke down in Red Oak... no tears. 
iPhone (most prized possession) dies... no tears.
Horrific argument with my father... no tears.
Eisley lyrics... no tears.
Feeling serious hurt for a good friend dealing with unrequited love... no tears.

At first, I believed it was because I was getting stronger.
Then, I feared it was because I was becoming numb.
At last... it happened.

Dvorak: Symphony No. 9 From the New World (4th Movement)
That piece of music has meant so much to me.  Everything it represents parallels my life.
  
The Music Itself: The beginning is so haunting.  Like a warning to step away or something horrible is going to happen.  But, as you draw your freshly rosined bow across the four strings, you find yourself getting lost in the beauty of the music.  Even the haunting beginning is beautiful.  Certainly it requires a swift movement of your wrist and the careful positioning of your body, but in order for the music to transform into a story it requires something more. Soul.  Visible passion.  The convulsion of your body as your whole being pours into telling the story.  By the end of the piece, you are exhausted.  Your bow needs to be rosined.  You have nothing more to give.  You wonder if it was worth giving anything at all.  Why did you not listen to the ominous melody of the opening bars?

The Past: It has been 3 years since we all played this wonderful piece on a stage together for a man we loved.  He taught us how to grow, how to love, and how to pick up the pieces when everything fell apart.  2005 was such a wonderful year for me.  We began working on the Dvorak then, and the eerie beginning (although obviously ominous) seemed so playful.  It was fun to step in someone else's shoes for a while.  As spring came, and we poured more of ourselves into the piece it became clearer that we were living the story.  Something was not right.  Sure enough, summer came and tore everything apart.  My heart was shattered, my dad spent most of the summer in the hospital, Wyatt was shot, and Stringer left us.  That's the price we pay for becoming so wrapped up in the music's story.  

The Present: Despite the incredible amount of strength depicted in the piece, I feel an overwhelming amount of weakness each time I hear it.  I love how it still connects all of us.  One of the eight posts it somewhere, and we all know we are in the same place: abandoned, feeling insecure, wondering if what we give will ever be enough.  One feels the hurt for all eight, and we all cry.  This piece brought out the best in us one night on a stage, but now highlights our every faults.  Oh, how it depicts all of my frustrations.  A piece of music without lyrics says all the things I can not say.  It says all the things I would never dare to say.  As I hurt for a friend that is hurting (outside the eight) I wonder if I should pass on this music to him.  I wonder if it will offer him the same twisted hope it offers all of us.  Maybe he will come out of it like we all did: so much stronger, braver, and human.  

Oh, Dvorak.  Do you know what you have done to my soul?  To my head?  It is more clouded than ever.  I tried to listen to Greig's Ase's Tod, but it does not evoke the same emotions it once did.  Oh, you frustrate me with your genius craftsmanship of lines and spaces.  I pray I remain brave.  I pray I know when to crescendo and decrescendo.  I pray I know when to rest and when to play with my frog close to the bridge.   


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I'll Talk to Our Gravity Experts

two nights this week spent with ben rector.
every night this week spent with old friends and new friends. 
watching king baby (extended version).
oh, how i love the simple things.
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3 New Songs (DEFINITELY in the works...they don't even have titles)

"when you got to go, don't say 'goodbye,' say 'i'll see you soon,' cause that's a good bye." - aaron espe

My head is screaming at me.  
I have a million things to think about and no time to form any rational thought.
Only panic is coming now.
I have to make some decisions sooner than expected.
I have thoughts that come and go; conflicting, of course.
The woman at the Valero calls me darling every day.  One of my best buddies, David Ramirez, told me he loved me today.  Zac kisses me.  All that to say, all of my bases are covered.  I have people who tell me what I want to hear, people who care about me, and people who show me affection.  Maybe that's why I am so content with having what I have with him; even if it isn't much.  I don't need him to call me darling, tell me he loves me, or kiss me.  Yet, there's that something about him that sets him apart.  THOSE are the parts of him I must subconsciously crave.  He challenges me.  He is brutally honest with me.  

Too tired.  Here are some songs I'm working on: 

"Severed Kites" - jaimee harris (2009)

For you a thousand times
For you a thousand times, I'd give you my shoulder
For you a thousand times, a thousand white & better lies
For you a thousand times over

We were growing up so envious
I didn't know
But I cried a million times the day I made you go
I never knew what that phrase you said meant
Until I replayed it a thousand times in my own head

For you a thousand times
For you a thousand times, I'd give you my shoulder
For you a thousand times, a thousand white & better lies
For you a thousand times over

As I felt my feet sink into the sand
I realized I'll never know you as a man 
If I took back all of those things I said
You'd be walking here with me, you wouldn't be dead

For you a thousand times
For you a thousand times, I'd give you my shoulder
For you a thousand times, a thousand white & better lies
For you a thousand times over

Would I take it all back and change?  
I wouldn't
I will always be selfish
I will never stray, I'll stay the same

For you a thousand times
For you a thousand times, I'd give you my shoulder
For you a thousand times, a thousand white & better lies
For you a thousand times over

For you a thousand times
For you thousand times, I'd give you my shoulder
For you a thousand severed kites flying up in the sky
For you a thousand times over

"?" - jaimee harris (2009)

Mr. State Capitol, why are you sad?
Don't think about it, just go back to bed
You will feel better by morning I swear
If not, let me know & I'll rush to be there

The city which after you're named for
Frequently shuts down due to the snow
I feel as if you're the same damn way
One day you're open, the next you are closed

Mr. State Capitol, why do you wander?
Keep your eyes fixed on me, you will discover
The love that shines behind these blue eyes is for you
I don't know if you want it now, but I hope you do soon

The city which after you're named for
Frequently shuts down due to the snow
I feel as if you're the same damn way
One day you're open the next you are closed

Mr. State Capitol, don't hold my heart lightly
Cling to it, keep to it at your side tightly
And if you find out you must let it go
I don't want to be the last girl to know

The city which after you're named for
Frequently shuts down due to the snow
I feel as if you're the same damn way
One day you're open the next you are closed

"?" - jaimee harris (2009)

Baby, won't you come & lie down next to me
You don't have to smile, you can close your eyes if you're tired
You never look at me when they are open any way
Baby, won't you come and lie down next to me

Baby, won't you come & talk to me a while
You don't have to say anything important, just pretend that you're interested
And kiss me before the lights go off so I can pretend we're something that we're not
Baby, won't you come & talk to me a while

The whole world is crashing down on the both of us
It's not confusing, love, this is black & white lust
But we'll never learn how to love if we never learn how to trust what is happening between the both of us.

Baby, why do you vanish for days?
What the hell are you doing, except driving me insane?
I'm letting you go now, I don't really have a choice
Baby, why do you vanish for days?

The whole world is crashing down on the both of us
It's not confusing, love, this is black & white lust
But we'll never learn how to love if we never learn how to trust what is happening between the both of us.